TDF/Irene Sharaff Lifetime Achievement Award, Winners of Theatre in the 2020 Design Achievement Awards, Quest Sound & Productions Supports Augusta Symphony Stream. SH: All of the work that I do as a set designer is about transitional spaces, spaces that are not necessarily modeled after a literal place. It is a unique and wonderful position to be in. SH: I was a visual arts major at Syracuse University spending a semester abroad in London. Susan Hilferty on IMDb: Awards, nominations, and wins. Nomination Irish Times Theatre Award for Best Set Design Hamlet. I’ve done 48 productions worldwide with Athol Fugard and over 30 with Richard Nelson. Annaleigh Ashford Talks About Her Move to L.A. BroadwayHD Celebrates Tom Kinney's Third Anniversary, Kelli O'Hara & Seth Rudetsky 1/17 at 8 PM ET, Block, Arcelus and Rudetsky 2/14 at 8 PM ET. All of this is what contributes to the world that we create. LD: What advice would you give to young designers? I was especially excited to work with Joe Mantello, whom I had not worked with before. Awards. 2019. The characters, plus the incredible story by Gregory McGuire, were the components that really drew me into the worlds that we encounter throughout the musical. It was clear to Duncan and Steven and director Michael Mayer that these characters are so fearful of becoming adults, and what’s amazing about the play/musical is that the adult world is painted as immoral or cruel, yet we know it’s the world these young people will inherit as they grow and mature into adults themselves. Susan Hilferty on IMDb: Awards, nominations, and wins. When I’m thinking about whether or not to design a show, I first consider the director and the text. Award-winning costume designer SUSAN HILFERTY and legendary scenic designer JOHN LEE BEATTY are among the 25th Anniversary TDF/Irene Sharaff Award recipients which were just announced by TDF, the not-for-profit service organization for the performing arts. The 2017 Lucille Lortel awards for outstanding achievement Off-Broadway ( Visual ) Most widely held works by Susan Hilferty The Gabriels ( Visual ) He trusted me and the design team and the director, Marion McClinton, to go back in time to understand and interpret his specific world of the Hill District in Pittsburgh in the 1977. So you must prepare yourself to be lucky!” Being a designer means you have to be fluent in history, art, and culture as well as knowing about fabrics and clothing and how things are made. Trivia (7) Won Broadway's 2004 Tony Award as Best Costume Designer for "Wicked." I tend to design sets for playwrights who direct their own work. We saw Athol Fugard’s Sizwe Banzi is Dead at the Royal Court, and I remember viscerally feeling that in that hour and a half, two actors on a blank stage with a few chairs and a chalkboard transported me to South Africa – a place I had never been! In Wicked, a young woman wants to be part of a community that initially shuns her. LESTAT (Tony nom. SH: From the very beginning, his work has struck a chord with me and that is to do with his outlook on humanity. These elements all support the creation of the unique world being put onstage, one that has its own visual life, behavior, rituals, relationships, and class. Susan Hilferty. All rights reserved. Our responsibility was, not only to understand this specific place, but go even deeper and put ourselves in the local jitney station and convey how relationships between these characters are driven by emotion, their place within society, and the created hierarchy around them, whether that’s because someone is an elder in the community or they are the emerging generation finding their voice and power. 2018 Costume Design Award: Amy Andrews Harrell For her work on the television series Mercy Street. I’m more interested in that than I am in visual splendor. Winner TDF/Irene Sharaff Award for Lifetime Achievement . Be first to get the top news & best streams. 3 Speen Street, Suite 300, Framingham, MA 01701. are credited together. search. Reproduction in whole or part is prohibited. 3 Speen Street, Suite 300, Framingham, MA 01701. I love these writer/directors who do not come into their creative process with preconceived notions of how the piece should ‘Look.” They are interested in creating a liminal space throughout their creative process. Hilferty has designed over 300 productions across the globe including the United States, the UK, Canada, Japan, Australia, Korea, New Zealand, Mexico, Canada, Malaysia, Spain, Brazil, Germany, and South Africa. Click through the slideshow for a portfolio of her costume sketches. She won the 2004 Tony award for Best Costume Wicked Costume Her reasearch was focused on the period that Baum wrote the Wizard of Oz books, which was from about 1900 to 1920. Annie A spunky orphan girl finds a home with a New York millionaire during the Depression, but must dodge the clutches of her evil orphanage mistress, in Charles Strouse, Martin Charnin and Thomas Meehan’s 1954 musical based on the popular Harold Gray comic strip. Winner USITT Lifetime Achievement Award for recognizing a lifetime of distinguished contribution to the performing arts . LD: How is designing scenery different from designing costumes, and why do you sometimes do both at the same time? Wicked in Melbourne, Australia has also picked up numerous awards and nominations too. Award-winning costume designer Susan Hilferty will receive the 2019 TDF/Irene Sharaff Lifetime Achievement Award on Friday, April 26 at the Edison Ballroom in New York City. So, really, why or how I design sets and clothes depends on who the director is and what their process is for creating a world. Susan Hilferty Videos including on stage appearances, live events, award shows, concerts, tv shows and more from BroadwayWorld TV and our extensive Stage Tube coverage. Signature Theatre (New York City) New York Wicked 2003. That was a piece, as were all of August’s plays, developed across America in its regional theatres. ... Ireland, South Africa, Canada, Mexico, Singapore, Germany, Australia, Austria, Korea and Japan. Reproduction in whole or part is prohibited. To kick off 2021 with a good start, Live Design has collected its most visited stories of 2020. Susan Hilferty is known for her work on ABC Weekend Specials (1977), National Theatre Live: Salomé (2017) and Present Laughter (2017). Can you tell me more about that? The work of costume designer Susan Hilferty and scenic designer John Lee Beatty will be celebrated at the 25th annual TDF/Irene Sharaff Awards. Wicked Awards and Nominations for the Melbourne, Australia Production. Everything about our design is focused on clarifying that. But a couple that jump out in the context of this conversation are August Wilson’s Jitney and Duncan Sheik and Steven Sater’s Spring Awakening. She majored in painting and with a minor in fashion design at Syracuse University. But if you are interested in all this and love to tell stories and choose to be a designer, it is a hell of a life! Awards; Exhibitions; Contact; We use cookies to ensure that we give you the best experience on our website. In Wicked, for instance, we are responsible for creating an entirely new culture that doesn’t exist in our world. In 1961, and since 2005 the category was divided into Costume Design in a Play and Costume Design in a Musical with each genre receiving its own award. Emerging designers need to be looking for their tribe, which means finding their community and finding their voice. What was it about that particular show that initially caught your attention? SH: To really be involved in theatre, it has to be a calling not a profession. Emerald City looks so striking and appealing so that we understand why Elphaba is attracted to the Wizard’s world, and also why she feels the responsibility to change it. Susan Hilferty and William Ivey Long during 61st Annual Tony Awards - After Party at Radio City Music Hall in New York City, New York, United States. Rebecca Taichman, Yaël Farber— if you look at the directors I’ve worked with you find this theme, and it comes down to the appreciation of story and structure. All of the directors that I’ve worked with are deeply connected to the history of theatre: Garland Wright, both as director and artistic director of the Guthrie, would move from ancient Greek plays to modern texts; Des MacAnuff has a huge range in his body of work; and Richard Nelson was a dramaturg and was inspired tremendously by the writings of Chekhov. Susan Hilferty Costume Designer Over 300 productions world-wide, including WICKED (Tony, OCC, Drama Desk Awards and Olivier nomination), PRESENT LAUGHTER (Tony, OCC, Drama Desk Award nominations), HANDS ON A HARD BODY, SPRING AWAKENING (Tony nom.) LD: What drew you to a life in the theatre? The … Drama Desk Award Outstanding Costume Design for a Play. “We didn’t have a television,” she says. Susan Hilferty has designed over 300 productions across the globe including the United States, UK, Canada, Japan, Ireland, Australia, Korea, New Zealand, Mexico, Malaysia, Spain, Brazil, Germany, and South Africa. “Reading was my entertainment.” says Hilferty, whose interest in art and designing clothing led to her making all of her own clothes by the age of 12. Hilferty grew up in a big family in Arlington, Massachusetts, where her greatest source of joy was the library. The comedian and activist Dick Gregory said, “Luck is opportunity meeting up with preparation. LD: Is structure important to you when you are choosing pieces to design? 721 Broadway. You have to be interested in telling stories. That was very special for me because I spent the earlier part of my career in all of these theatres. are credited together. The award was first presented in 1947 and included both plays and musicals. LD: I am interested in the designer as a dramaturg, and what you say about creating a culture. He has a heightened understanding about structure, which is a quality I look for and admire in a director. They are all home to me, so it was enlightening to watch how each city responded to the play. The Augusta Symphony's A Little Night of Music, a livestream performance, featured lighting design by Cliff Smith of Quest Sound & Productions. LD: Can you speak more about what you mean by “structure?”. In talking about his work, Athol often uses the word “appointment.” He’ll see something or read about an event and feel he has an “appointment with that story.” He also has a voice that is his own but influenced by his deep understanding and appreciation of the various traditions in theatre history. In 2008 awards won were: Green Room Awards – Susan Hilferty and Eugene Lee won Best Artistic Direction of a Musical. In a piece that takes place in the past in a particular period, such as August Wilson’s Jitney, or our production of Verdi’s Rigoletto (that I designed for the Metropolitan Opera and that we placed in Las Vegas in the 1950s), then I have to research a culture to inspire the world onstage. (And that’s perhaps why I was asked to do pieces like Laurie Anderson’s Moby Dick with Anne Bogart and Taylor Swift’s Speak Now World Tour). Joaquina Kalukango Visits Backstage LIVE- Watch Now! Richard Thomas, Susan Hilferty, Paul Taswell, and J.T. Award-winning costume designer Susan Hilferty and legendary scenic designer John Lee Beatty are among the 25TH Anniversary TDF/Irene Sharaff Award recipients which were just … Susan Hilferty: In Wicked, I was drawn to the relationship between the two vastly different central women, but especially to the character of Elphaba, who is ostracized by her community because of the color of her skin. She makes all 200 costumes in the show and individually tailors them for each particular actor. That experience really instilled in me a passion for telling stories and the importance of allowing ourselves to live through an experience and be moved or changed by it. As to Spring Awakening, it’s always been one of my favorite texts because of its powerful point of view: seeing the world through an adolescent’s eyes as they begin to understand power, sex, and their place in the world. We caught up with Wicked Costume Designer, Susan Hilferty to find out what goes in to creating the incredible costumes… When I did his final play, Radio Golf, we did productions in New Haven, Boston, Los Angeles, Seattle, Chicago, and Princeton before the play was on Broadway. That’s why his plays translate across cultures and worlds and, frankly, through time. Susan Hilferty is an American costume designer for theatre, opera, and film. Her many Broadway designs include Wicked (Tony, Outer Critics Circle, and Drama Desk awards and Olivier nomination), Present Laughter (Tony, Drama Desk and Outer Critics Circle nominations), Hands on a Hardbody, Spring Awakening (Tony nomination), Lestat (Tony nomination), the 2013 revival of Annie, Into the Woods (Tony and Drama Desk nominations; Hewes Award) and Frank Wildhorn’s Wonderland. Unlike individual artists who must create the entirety of their work, theatre artists have to respond to a text and work collaboratively. She has worked in dance and regional theatre, working with such names as Alvin Ailey, Richard Nelson, August Wilson, and Athol Fugard to name but a few. Susan Hilferty is known for her work on ABC Weekend Specials (1977), National Theatre Live: Salomé (2017) and Present Laughter (2017). Being an admirer of the Wedekind text, I was so amazed at how truthful an adaptation this musical was. It is the arc of the story: the beginning, middle, and end, and how we get from one to the next that is critical to the design process. From the times of the Greeks, the stories are meant not merely to entertain but to change or perhaps transform the moral center within a person or a community. Live Design's 2020 Design Achievement Awards announced the winners of the Theatre category during a virtual awards presentation. The North American tours have been nominated 15 times for various awards, winning 13 of them. She also chairs the Department of Design for Stage and Film at NYU’s Tisch School of the Arts. The 25th Anniversary TDF/Irene Sharaff Awards were held last Friday, April 26 at The Edison Ballroom. sh9@nyu.edu +1 212 998 1955. I am interested in well-crafted stories, but I know that the director will be my guide. Hamlet 2020. Susan Hilferty Awards and Nominations (winners are in red) Drama Desk Awards - 2017 - Outstanding Costume Design for a Play : Susan Hilferty, Present Laughter : Browse more than 100,000 pictures of celebrity and movie on AceShowbiz. Joe, in his experience as both an actor and director, has such an extraordinary ability to navigate new work. 2018. IBDB provides records of productions from the beginnings of New York theatre until today. Susan Hilferty, Costume Designer: ABC Weekend Specials. Costume Design Award: Rafaella Rabinovich For her work on the film To All the Boys I’ve Loved Before. Susan Hilferty. © 2021 Questex LLC. 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